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Ms. Blunt is no slouch in that department, either; her most recent film, “A Quiet Place Part II” (Paramount), was a big hit in May, collecting about $48 million over its first three days in North American theaters and ultimately taking in about $300 million worldwide. Despite growing concerns over the Delta variant of the coronavirus, “Jungle Cruise” still drew moviegoers out to theaters during the film’s opening weekend to sail atop the North American box office. Overall, the domestic box office collected $76 million between Friday and Sunday, according to Comscore analyst Paul Dergarabedian. That’s well below any traditional weekend tally in a pre-COVID era, though it ranks as one of the best weekends since March of 2020. LOS ANGELES — As Disney’s pun-filled “Jungle Cruise” demonstrated over the weekend, moviegoing remains disrupted, with the Delta variant, immediate streaming availability and squishy reviews combining to depress ticket sales.
Grosses
I like the film well enough, but Matt Damon has rarely been a butts-in-seats draw outside franchises (Bourne, Ocean’s, etc.) and super-buzzy commercial flicks like The Martian. David Lowery’s The Green Knight earned $720,000 (-75%) on Friday for a likely $2.31 million (-66%) second-weekend gross. That’s not a surprise, in terms of the film’s cult classic cachet and divisive word-of-mouth from folks who still don’t know what they’re getting from an A24 flick.
Sunken ‘Jungle Cruise’ Sales Reflect Hollywood’s Delta Variant Troubles
Globally, “Jungle Cruise” brought in a total of $90 million, including $27.6 million at the international box office and more than $30 million from Disney+. Neon’s Pig will soon be Nicolas Cage's biggest-grossing live-action star vehicle in well over six years. Knox called out the film’s director, Tom McCarthy, in a series of tweets for using her name to promote the movie.
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Box office experts estimate it would have needed to generate at least $500 million at the global box office to have a chance of breaking even. For back-of-the-cocktail-napkin math purposes, studios and movie theaters essentially split ticket sales. For a big-budgeted movie, the volume of ticket sales collected in its first three days in movie theaters gave a good indication of whether or not it would be profitable. There were exceptions, of course, but for the majority of studio movies, all it took to read the box office tea leaves was a quick look at opening weekend revenues. Focus Features’ Stillwater earned $770,000 (-59%) on its second Friday for a likely $2.4 million (-54%) weekend-gross and $9.54 million ten-day total.
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With that in mind, is it fair to categorize a movie as a disappointment given the still-impaired marketplace? Or is it reasonable because, in the case of “Jungle Cruise,” it may not dig itself out of the red to justify its production budget? “Jungle Cruise” is far from the only movie that won’t come close to earning the revenues that the studio expected when it was initially greenlit. Hybrid releases or not, it’s been a similar fate for everything from “Tenet” and “Wonder Woman 1984” to “In the Heights” and “Snake Eyes.” Almost all of these movies will fail to achieve profitability. Mr. Johnson is perhaps the world’s most bankable movie star, someone who can fill seats with his mere presence on a theater marquee.
“Black Widow” placed fourth after a week of turmoil between Disney and the film’s lead, Scarlett Johansson. Johansson sued the studio over the film’s streaming release, which she said breached her contract and deprived her of potential earnings. For the sake of Marvel’s “Shang-Chi and the Legend of the Ten Rings,” the James Bond sequel “No Time to Die” and other $200 million-plus budgeted movies slated for 2021, Hollywood certainly hopes not.
Take last weekend’s new release, Disney‘s “Jungle Cruise.” The family friendly tentpole, starring Dwayne Johnson and Emily Blunt, debuted atop North American box office charts with $34 million. It generated $27.6 million internationally and $30 million on Disney Plus, amounting to $90 million in combined revenues. In any other environment, that would have been catastrophic because the film cost the studio $200 million to produce and at least $100 million more to market.
Is ‘Jungle Cruise’ a Box Office Hit? During COVID, It’s Hard to Know - Variety
Is ‘Jungle Cruise’ a Box Office Hit? During COVID, It’s Hard to Know.
Posted: Mon, 02 Aug 2021 07:00:00 GMT [source]
The PG-13 film, which stars Emily Blunt as a British version of Indiana Jones and Dwayne Johnson as a wisecracking river boat skipper, took in an additional $28 million overseas. “Jungle Cruise” also earned five times more than “The Green Knight,” which came in at No. 2 with $6.78 million. The Disney film starring Dwayne Johnson and Emily Blunt exceeded expectations by pulling in more than $34.1 million over the weekend. The adventure movie was estimated to open with around $25 million to $30 million domestically, but it outpaced those numbers despite the surge in coronavirus cases. Around 85% of U.S. cinemas have reopened, according to Comscore, which is the highest percentage since March 2020. But as concerns about the Delta variant rise, the moviegoing landscape is nowhere near what it used to be and it’s unclear when, or even if, things will get back to normal.
Dwayne Johnson, Emily Blunt and the ‘Jungle Cruise’ filmmakers discuss honoring, and updating, the beloved Disneyland ride for a big-screen adventure. The movie theater business is still struggling to recover from the public heath crisis, reshaping the criteria for success and making it exceedingly difficult to separate the hits from the misses. Prior to the pandemic, assessing the financial success or failure of a film was relatively simple and finite.
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